![]() As in the exposition, the development includes strikingly similar musical characteristics such as the contrasting forte piano dynamics, hemiolas, left hand octaves, and parallel thirds in the right hand. The development section begins at measure 94 with a new melody, focusing on the transitional passage between the second and closing themes in the exposition. The exposition ends at measure 93 in C major. The remainder of the exposition includes many forte piano dynamics, hemiolas, parallel thirds in the right hand, trills in the right hand, and left hand octaves and broken chords. 41) begins in the dominant key of C major, is in galant style, and is immediately restated in varied form (m. A sudden change follows, with the F major key changing into the relative minor key, D minor at measure 23. Immediately following thereafter is parallel motion in both hands in very similar rhythm. Next, there is a short melody with the left hand echoing it, while the right hand plays a two-part phrase that includes a Mordent. The first theme of the exposition begins with a right hand melody over a left hand Alberti bass figure. Mozart uses diverse styles including galant homophony, learned counterpoint, and even the intense Sturm und Drang style. There are two basic characteristics exemplified in the first movement: the song-like themes and the combination of styles. The first movement is in a classical sonata form, with repeats for the exposition, the development and recapitulation. Problems playing this file? See media help.
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